CD "Review": Jim Morris, "The Man Who Offered The Moon"

I have seen Jim Morris live a number of times and have been to – even hosted – lots of House Concerts. But, I have never seen Jim Morris at a House concert. It’s on my Bucket List! Jim is one of those rare singer/songwriters – like Bruce Springsteen and Jimmy Buffett -  able to populate his songs with larger than life characters. Whether it’s the serendipitous lover and her teacher and banker friends in “Thursday Afternoon at the Conch House Lounge” or the Tropical Man in “Laid Back and Key Wasted” - they may not ACTUALLY exist, but they sure seem like they could – or should. I’d love to spend some quality time listening to Jim talk about the stories behind his songs, find out how much is truth with “names changed to protect the guilty” and how much is poetic license.

Jim continues the tradition on his latest cd, “The Man Who Offered the Moon”. Take track number nine, for example - “Long Money” - where Jim gets booked to play a private party at a beachfront mansion where the guests are “doctors and lawyers and assorted egomaniacs”. The women in attendance are “surgically blessed and all those parts they purchased seem to fit together well”. The host of the shindig, referred to only as the “Big Dog”, is a “smiley fella” who has been “working hard turning paradise into condos”. It’s a five and a half minute short film set to music. You can imagine the “beautiful lady” when she walks in to the party, picture the manicured lawn “littered with bottles of bourbon and vodka and gin”. It’s the sign of a great songwriter when you can “see” the song, as well as hear it.

In “Party Dress”, the scene is another party, this one “right there on the bayou, down around New Orleans”. The host of this soiree is a fella named “Dickie Bones” who likes to drink and dance and who “greets you when you come to call”. Beer and Margaritas flow, and a band plays while “Frankie boils the crawfish”. Once again, it’s such a vivid picture you’ll find yourself wishing you had been there!

Another reason Jim Morris sits among the upper echelon of Trop Rock artists is his often understated sense of humor. I say understated because he doesn’t resort to tired clichés – doesn’t hit you over the head with the punch line. Take “Your Girlfriend Says Hello”: The hero in the song quits the job that was making him unhappy, tells the boss “the dream you were selling just didn’t work out” and runs off to enjoy sand and sea with a new lady friend - who is, well the title says it all. The twist is that, throughout the song she is referred to as “your girlfriend”, until the last thirty seconds of the song when that changes to “MY girlfriend”. Then there is “Tonight I Came Here To Drink”, where the singer tells a woman at the bar in a skimpy dress and great legs to “stop pointing them at me”, then observes “I see you’re from Brazil, or at least you appear to be”. That doesn’t mean Morris can’t be blunt when he wants to. He also says “Came Here to Drink”, “It’s hard to concentrate when I’m staring at your ass”. Or take “Mr. Right”. I don’t think anyone is going to accuse him of subtlety when the object of the singer’s affection is asked “Why don’t you do me?”

Other stand out tracks include the nostalgic “One Layer of Clothes”, with Morris and a college buddy jumping into a sports car and hitting the road in search of “ a world we’d never seen, things we’d never done”. Who can’t relate to their younger days when money wasn’t important and time was irrelevant? “The End Of Time” follows the popular Trop Rock scenario of a guy who ditches the corporate world to find what really makes him happy, including “sunny skies, salty air” and a “girl who says she loves me, fine Jamaican Rum”. It includes one of my favorite Jim Morris lines of all time: “I’ll be happy until the end of time, but I hope it never comes.” And, finally, remember the old Disco nugget “It’s Raining Men”? Personally, I like Jim’s weather report a whole lot better. “Raining Rum” tells the story of a guitar player who “grew up in Kentucky on a rutabaga farm”, whose “mom died in a bar fight, and “dad was Baptist preacher ‘till the cops found all the dope”. You’ll just have to listen to the song to find out, as the late Paul Harvey would say, the rest of the story. It’s another one of those colorful narratives that makes you want to find out how much is based on reality and how much is pure fiction. One of the most upbeat songs on the cd, it’s destined to be a Jim Morris concert favorite.

Some additional details: Trop Rock heart throb John Patti is responsible for the steel drums and percussion on “The Man Who Offered The Moon” and twelve of the thirteen tunes are Morris originals – the only cover being Rodney Crowell’s “Song For Life”.

Wanna host a House Concert? Take a peek inside the Bat Cave

Move over Gotham City. There's a new Caped Crusader in town and he's made Shiloh, Illinois his home. Only this "Batman" is more likely to be found flipping burgers than bad guys, and his "trusty sidekick" is...his wife, Jill. Tom Melendez originally earned the moniker a few years back when he donned the Dark Knight's costume for a Halloween party. His "crime fighting" antics that night are the stuff of local legend, but the nickname stuck. So, when Tom and Jill started hosting parties in their renovated basement, it was only natural that the space be christened "The Bat Cave". Now, the Bat Cave is also earning accolades for being one of the busiest House Concert venues in the country.


"We bought this house about seven years ago," explains Tom. "A buddy had turned us on to Jimmy Buffett, and we had a boat that we would take out on the local lakes, but we didn't consider ourselves 'Parrot Heads'. Then, one day, Jill and I were out in front of our house cleaning our boat. Well, in all honesty, we were doing more talking and beer drinking than cleaning - I think it probably looked worse when we were done than better. But, in any case, we were ATTEMPTING to wash our boat, and we were listening to Jimmy Buffett while we were doing it. A neighbor saw us out there and - I guess because we had all the right stuff; beer, a boat, and Buffett - said 'You guys should join the Parrot Head Club!' So we did."


The closest Parrot Head Club was located in St. Louis, about fifteen minutes from Shiloh. The Melendezes started attending meetings and events and, as often happens, were introduced to the world of "Trop Rock" through other club members. "We started hearing all these other artists and thought, 'wow, this is pretty cool!', says Jill. "Next thing you know, we're buying new cds and listening to them on our boat. The first Trop Rock show we went to was at Table Rock Lake with Eric Stone and John Reno." And, as I often hear from people around the country I talk Trop Rock with, it was a trip to Key West and Meeting Of The Minds that turned them into full fledged Trop Rock fans. "MOTM changes you forever," adds Tom.


How did you guys get started hosting House Concerts?

Tom: "We went to see Paul Roush and Troy Allen at a St. Louis Parrot Head Club event. After it was over, we were talking to Troy and telling him about this big 4th of July party we throw at our house every year. We asked him, 'Why don't you come to our next one and play?' That 4th of July - 2010 - Troy came up from Texas. In addition to our usual group of friends, we invited the Parrot Head Club and anyone else who wanted to hear him play, and that was our first 'House Concert'!""

Jill: "Hearing the stories behind his songs was really cool. That November, we went to Meeting of The Minds and first heard about DJ Jeff Allen and BeachFront Radio. We started listening to it when we got back home and got introduced to a lot more artists there."

Tom: "We had a great time with Troy at the 4th of July party - he wound up hanging out with us for three days - but, Jill and I never really said to each other, 'Let's do another one!' But, then we were in Key West, meeting people like Hugo Duarte, and I thought - 'I'd really like to get some of these artists up to our area, so people who don't get to go to the events we do can see and hear them' Gee, if we could just find a place for them to play...".


So, how did it go from "Wish we had a place for them to play in our area"..to "We HAVE a place for them to play!"?

Tom: "Our house is on a lake and we have a big back yard. Plus, the basement - the 'Bat Cave' - is already set up for entertaining. Pretty much as soon as we started thinking about places for Trop Rock artists to play in the area, we thought of our place. We never really looked anywhere else. Honestly, it's partly selfish. Part of the reason for bringing the artists to our area is so that WE - Jill and I - get to hear them play. We love having people over and love seeing them have a good time, and the artists get their music and stories heard. Everybody wins this way."

Jill: "All of a sudden, we've become a venue!"


How many House Concerts have you hosted now?

Tom: "We've done six so far. We did three just this month. We didn't really plan on having so many in one month, it just worked out that way. "


Tell me a little about House Concerts at the Bat Cave, for others who might be interested in hosting their own...

Tom: "We generally do shows on Friday or Saturdays, so most people don't have to worry about going to work the next day. But, it depends on when the artist is available. Our basement - the Bat Cave - holds about 30-35 people with the seating we set up, couches, etc. But, we prefer to do shows in the back yard, weather permitting. I will get the grill going after work and invite people to come over about 6. We provide burgers, hot dogs, that sort of thing and ask people to bring side dishes, chairs to sit on, and whatever they want to drink. Shows usually start around 7pm, go until about 10 or so. Then, we have a 'meet and greet' after the performance so people in the audience can talk to the artist, get their cds signed, pictures taken."


What about "production", sound and stage?

Tom: "The artists usually bring their own sound equipment. Outside, we have a small 'stage' - pretty much some plywood covered with old carpet - but it works. We even did one show on the boat dock, with the lake for a back ground. We'll string some lights up and that's it. Nadirah was another story!"


Tell me about that one.

Tom: "It was Paul Roush, then Nadirah Shakoor. We rented a big tent - like a circus tent - to hold all the people and got one of the Parrot Head Club members who has a sound company to bring a P.A. and lights. It was like a professional show! (laughs)."


You said you do your shows outside whenver possible. Have you ever had any problem with neighbors complaining about noise?

Jill: "Only once, and that was Nadirah's show. The cops came - they were very nice - asked us to shut it down by 10:00, which we did."

Tom: "Nadirah was on a Tuesday night, too. Like I said, our back yard is big, and behind us is a lake. Plus, we live on a cul de sac. So, there aren't alot of neighbors to bother. And we make sure to invite everyone around us - at least let them know we're going to be doing a show. And we finish early enough so it's usually not a big problem."


Do you have any rules for the audience?

Tom: "We generally let the artists tell us what they want. Each one is different. Some prefer quiet during the show, others don't mind a little talking. Some prefer to have the time during their break, if they take one, to themselves. Others don't mind talking to people between their 'sets'. We ask them, then I'll get up before the show and let the audience know what's up for that night."


How do you let people know about the shows?

Jill: "I'll put something on Facebook and ask people to RSVP.The rest are neighbors, and people that we meet through work. Tom is an accountant and he tells his customers, people we know will bring co-workers to introduce them to Trop Rock. So, it's mostly all friends and friends of friends."

Tom: "If it were up to me, I'd invite EVERYONE!"


How involved is the St. Louis Parrot Head Club?

Tom: "We keep the House Concerts separate - they're not officially a club function -although, most of the people who come to the shows are club members. We couldn't do it without them."


You've got anywhere from 35-65 people coming in to your home every couple of weeks - ever have any problems?

Tom: "We're sort of used to it - having hosted big parties for years. And the people who like this music aren't looking to cause trouble. Also, we have set it up so we don't have many people going through the main part of the house most of the time. If it's indoors, we have a separate entrance to the Bat Cave and a bathroom down there. If it's outdoors and a bigger event, we'll rent a couple of port a potties."

Jill: "The place can get messy. But, I'm lucky. We have some great friends who help us keep an eye on things during the event, then help clean up after."


You mentioned earlier that you provide some food, and had sound and lights for Nadirah. Now you say port-a-potties. So, there is some cost to you for hosting these?

Tom: "Some. Burgers, hot dogs. Some times we'll get a tent to put so the performer has something over his equipment, in case it rains. For Nadirah and Paul we did it up big... Overall, it's not really that much of an expense and we think it's worth it, to have people we like and admire coming to our house."


What do you charge?

Tom: "Generally, it's $15. We collect it at the door and every bit of that money goes directly to the artist. We don't take a dime. The peformers also sell their cds, t shirts, whatever they bring, and they get all that money, too."


So, what's next at the Bat Cave?

Tom: "We plan to keep doing these as long as we can."

Jill: "Although this month was a little hectic!"

Tom: (laughs) "Yeah, we may start spacing them out a little more. Ideally, one or two a month. But, we don't get to see these guys alot so it's a big deal for us when we can host them here. We're really excited about our next one. It's August 5th. John Patti is coming with Scott Bryant and some other guys. It will be John's first 'headlining event'. You should come, Fred!"


Thanks for the invitation! If I was independently wealthy, Georgia and I would do nothing but run around the country every week going to Parrot Head events and House Concerts. Unfortunately, there are those annoying bills. Maybe one day when this blog takes off...


And with that dream still in my head, we'll leave the Bat Cave and the home of Tom and Jill Melendez. If you are interested in hosting your own House Concerts, you can look them up on Facebook or contact the Atlanta Trop Rock Alliance, a group that was formed largely to host House Concerts - specifically in the Atlanta area - and help spread the word about them around the country, at atlantatra@yahoo.com.




http://stlphc.org/

http://www.beachfrontradio.com/home.cfm

http://www.nadirahshakoor.com/fr_home.cfm

http://www.paulroush.com/

http://www.johnpatti.com/

http://www.phip.com/MOTM.asp

Debbie Grisham: It all started with Spaghetti.

It was 1966, in the small town of Brunswick, Maine. As images of the Vietnam War flickered across the tv screen and protests raged on college campuses across the country, friends and family would gather at the Alexander home for a spaghetti dinner. But, the focal point of the evening wasn't the pasta. It was the after dinner entertainment. As soon as the dishes were cleared, any one in attendance who could play an instrument would break it out, and the rest of the guests would sing along. It happened every Saturday night and, on more than one occasion, among the musicians in attendance that year was a 21 year old pedal steel player from Nashville named Doyle Grisham, on active duty with the Navy and stationed at the nearby base. "I come from a musical family. My parents sang, I played guitar a little - and sang. We looked forward to those 'Spaghetti Feeds' in our home," says then thirteen year old Debbie. "My uncle had a band at the time and Doyle was in it, so he would come by some times and sit in. I had a big crush on him, but he barely even noticed me."

Forty plus years later, Parrot Heads will recognize Doyle Grisham as a long-time member of Jimmy Buffett's Coral Reefer Band... And the young teenager in puppy love with the steel playing sailor back in 1966? She is now Debbie Grisham - wife of Doyle - and head of Deb Grisham Entertainment, the Nashville based artist management and booking group that includes among their clients Nadirah Shakoor, and top trop rock artists John Frinzi and John Patti.

I'll let Debbie take it from here...

"When Doyle finished his active duty in Maine, he moved back to Nashville. In the meanwhile, I got married, kept singing and playing guitar - for fun, mostly, although, my husband at the time kept saying I should do it professionally. One day, a drummer with a local band - Ralph Lashua and the Four Coachmen - walked into the place where my husband worked and told him they were looking for a female singer. I auditioned and got the job. I wound up singing with them for the next ten years!"

 

So, how did you and Doyle reconnect?

"Around 1979, Doyle came back up to Maine, to visit my uncle. He heard me sing and, between the two of them, they convinced me I should go to Nashville to record some songs. The next year, I went down and recorded an album ("I'm My Own Woman" on Doyle's label). We finished the whole thing in two weeks, then I went back home to Maine. By 1983, I was ready for a change and moved full time to Nashville. I started working with Doyle, singing back up in the studio and doing demos for songwriters. I also recorded two more albums between 1983-1986. I had gotten divorced by then, Doyle asked me to marry him - and here we are!"    

Sounds like you had a nice singing career going. What made you get into managing bands?

"I liked singing - I still do it now, whenever the opportunity comes up. But, by around 2004 I had decided that after almost twenty years and three albums, I wasn't going to be a big star making music. I figured my best contribution would be helping others with their careers. One day, I met Kevin Max of the Christian Rock band DC Talk. I knew alot of people in Nashville by then, so started helping him get gigs. And it grew from there."

How did you start working with Nadirah?

 "I knew Nadirah, of course, through Doyle. We were down at Meeting of the Minds one year - 'Nod To The Story Teller' had just come out. I asked her, 'Who is booking you?' She said, 'nobody' and I immediately said, "I'd love to work with you!' By January of the next year, I had her first booking."

And you built your roster from there?

"Yes. It wasn't long before I had other artists come to me and ask if I could work with them, too. The funniest thing was that, after I started working with and getting gigs for people like John Patti and John Frinzi, Doyle and I were sitting together one day when suddenly he asked, 'How come you don't book me?' It hadn't dawned on me!"

So, what is a typical day for you?

"If I'm not on the road, with Doyle on a Buffett tour or with one of my artists, you will generally find me in my home office on the phone and computer. If I'm not contacting venues to try to get my artists gigs, then I'm following up on dates we have already set up - sending out contracts and riders, doing press releases, working on social media to get the word out. I spend about fifteen to eighteen hours a day doing that. I also pitch songs to record labels in Nashville"

I want to get back to that, but first - how do you find the venues for your artists to play?

"I have built up a full list of clubs over the years. Alot of it is repeat business, places we have played before. But, new places open all the time. And, often, I will have an artist tell me they have heard of a place that might be good. In those cases, I will do some research, contact whoever is in charge of booking and we go from there. Some times it's a phone call, sometimes an email. It depends on the club."

Now, tell me more about pitching songs...  

"Through connections I have made over the years, people like Jim Glaser, I have been able to get on the 'approved list' at the major labels in Nashville. That means I have permission to pitch songs to their A&R people or producers. First, I find out which artists are looking for new material - I get a thing called a 'pitch sheet' - and then take them songs from music publishing companies that hire me, as well as the artists I work with, when it fits. It used to be that you would go by and play the songs for the folks at the labels. These days, they mostly want you to drop off a cd or send the song via MP3. But, without that previous permission, I'd never get through the door." 

Let's talk about some of the artists you work with... We already talked a little about Nadirah...

"As I said, that started at Meeting of the Minds and our relationship has grown from there. I work with her solo and with her band, Outside Art. I really love her sweet spirit. She's giving, respectful, kind - very easy to work with. Just a good person. And the fact that she's one hell of a talent doesn't hurt anything!"

How about John Frinzi and John Patti?

"John Frinzi started hiring Doyle to play on his records in the early 2000's, and he also came up and recorded in our studio. So, I knew him but hadn't started working with artists then. One day, a few years later, at Meeting of the Minds we got to talking about booking him. The same thing with John Patti, it was at MOTM in 2008, he asked me if I'd be interested and I said 'yes'. Seems like alot of things happen in Key West!"

What about Jim Mayer?  

"I have been working with Jim - 'Uncle Jim' - on his kids' shows, getting out his anti-bullying message, which I think is great. I call schools all over the coungtry, talk to Principals and Superintendents. We're just getting started with that, have done maybe a dozen shows in the last six months."

And Coral Reefer Soul?

"That's also something new. Nadirah came up with the idea of doing some shows with members of the Coral Reefer Band, around Jimmy's tour dates. We did one in Las Vegas with Nadirah, Mac, Robert and Ralph. It went so well, we said, 'why don't we try to do these before EVERY show?' So, we are. The line up will depend on who is available - in Atlanta it's Nadirah, Peter and Ilo Ferreira. We have another big show booked on June 24 in Wisconsin. Doyle, Nadirah, Mike Utley - along with John Patti, and JD Spradlin from Radio Margaritaville as the host!""

I haven't forgotten about your husband, Doyle, who you also work with. But, I have a whole interview with him to post here soon, so I'll leave that for another time. How do you choose who to work with?

 "I do alot based on instinct. I have to be passionate about the artist, really believe in them."

Do you have any plans to add to your roster any time soon?

"I don't feel I could right now, no. There are a hundred very talented people out there, but I want to be able to give the people I'm working with my FULL attention. If I had too many people, I couldn't do that."

For more on Debbie and the artists she represents, check out her website at:

http://www.debgrishamentertainment.com/index.php

Music from the Mailbox

I’m a Trop Rock fan. Big surprise. If the song is about beaches, bars, or boats, chances are I will like it. Lucky for me, there are literally HUNDREDS of artists out there these days singing about my three favorite subjects – and I’m discovering new ones every week.  As a fan, I listen to this kind of music most of my waking hours anyway. But, I’m also a mobile dj – the only one that I know of in my part of the country that features Beach Music and Trop Rock as a regular part of my playlist, from weddings to pool parties. So, I also get a regular chance to play these tunes for other people - not just Jimmy Buffett, Kenny Chesney, Bob Marley, and the Beach Boys – but independent singer/songwriters and bands. My wife and I also have a business – Bahama Llama – that brings “great food and a tropical vibe” to festivals around the Atlanta area. Our booths are always beach themed and, of course, the music we play all day is Buffett and Trop Rock. At some festivals, that could mean tens of thousands of people passing by our booth (hopefully, at least some stopping) and hearing what we’re playing. On top of all that, I have this blog. One of the main reasons I started it was to help expose people around the world to Trop Rock and the folks who play it - hence the second word in the title. 

For all those reasons, hardly a week goes by that I don't walk out to my mailbox and find a package full of cds from somewhere around the country. Some are new releases from artists and bands I have known about for some time, others are from people I've only recently been introduced to. Either way, I'm like a kid in a candy store - I can't wait to get back inside and hear what the mailman has brought me.

Here are some of the more recent releases I have gotten in the last few weeks... 

 Paul Roush "Today's The Day" - Paul is a veteran music maker from Missouri with a storied history. He was a founding member of the band Phins, 2008 winners of the Trop Rock Horizon Award, and also fronted the 12 Volt Band. He decided to go solo last year and the result is this cd. Recorded at Orca Sound Studios in Maryland, it was produced by Captain Quint's Kevin Johnson, who also plays keyboards, bass and drums on the disc. The ten tracks include a few notable covers; "Layin' My Life On The Line" comes courtesy of Jerry Jeff Walker, "Daddy Was A Sailor" is a Nitty Gritty Dirt Band composition, "I Wanna Be A Pirate" was originally found on the Captain Quint cd, "Unsinkable Still", and it doesn't take a die hard Springsteen fan to immediately identify "Thunder Road". The rest of the material is all original, including "Bad Day On Vacation" - a glass-half-full look at a bike ride on the beach, "Today's The Day" - a feel good ditty about discovering a love you already had, and the retrospective "Just To See If I Could". Two of the more melancholy songs, "Three Sailors" and  "Fools, Drunks, And Children", are updated versions of Paul's tunes originally penned for Phins projects (the former can be found on "Welcome To The Beach", the latter is the title track to their 2002 cd). Howard Livingston fans will also appreciate Paul's hilarious ode to the multi-award winning Florida Keys' musician, "I Wanna Be Howie" (with a nod to Brent Burns).  http://www.paulroush.com/ 

Captain Josh "Whitecaps & Nitecaps" - Josh Ramsteck, aka "Captain Josh", hails from the Orlando, Florida area and is a true Parrot Head - member of the Parrotheads of Central Florida. "Whitecaps & Nitecaps" is his third cd - following up on 2008's "If I Had A Hammock" and "Music In The Lower Keys" from 2007. Like the first two, it consists of original material with some carefully chosen covers, most notably on this one Ricky Nelson's 1972 hit "Garden Party" and the Motown Classic (later re-recorded by Linda Ronstadt) "Ooh Baby Baby". Josh's original tracks often take a humorous look at the Parrot Head lifestyle, and this cd is no exception:  "Parrotheads in Paradise" boogies along on a bed of Buffett references, the double entendre filled "Deep Vee Bottom" is a tongue firmly in cheek look at boats, "Room Key" tells the (true?) story of an amorous fan at a festival date Josh played in Panama City, Florida, and "I'm Into Leather But I Could Be Suede" speaks for itself. Of the "serious songs", "Ship To Shore" would be a great one to listen to as the sun sets and the title track is a nautical ditty with squeeze box accompaniment. Guests on the cd include Trop Rocker Jimi Pappas and guitarist Rob Seay. http://capt-josh.com/

John Patti "Cabana Breeze" - From appearances on various Trop Rock records, to a tropical take on the Folger's Coffee theme with John Reno (top ten finalist in a national contest), to the recent Coral Reefer Soul show in Tampa, and upcoming dates in Costa Rica with Jim Morris, John Patti is a busy guy these days. Playing the steel drum from an early age, Patti cites a chance encounter with the Coral Reefers in Key West back in 1998 as a turning point in his musical career. "Cabana Breeze" is his second cd and features Buffett band members Peter Mayer, Doyle Grisham, and Nadirah Shakoor, who adds vocals to the soulful and sexy "Steamer". The other ten tracks are all-instrumentals. Songs like "Start The Party", "Catamaran Race", "Tiki Groove", and "Tauranga" make you want to run, not walk, to stick a lime into a long neck and your toes in the nearest sand, and "Wonderful Tonight" is his reggae-fied (and slightly more upbeat) take on the Clapton classic. John is a member of the Deb Grisham Music group of artists, which also includes Nadirah Shakoor, and both Peter and "Uncle" Jim Mayer. http://www.johnpatti.com/

Scott Kirby "Row Me Home" - As an unabashed Scott Kirby fan, I was thrilled to connect with him via telephone recently to conduct an extended interview (found elsewhere on this very blog) and talk about some of his music, including tracks on this - his sixth cd, released last year. Produced by world renowned drummer Russ Kunkel (Jackson Browne, Jimmy Buffett, James Taylor, Bob Dylan, Dan Fogelberg and countless others) and featuring an all star cast of musicians like Leland Sklar, Dean Parks, and Coral Reefers Jim and Peter Mayer and Roger Guth, "Row Me Home" is full of Kirby's trademark warmth and poet's eye for detail. Favorite tracks include "Blow Me Down To Cayo Hueso" - an ode to his own song line, which has taken him from New England to Key West, "Port Outbound Starboard Home" - a catchy Jackson Browne type rocker about not looking back, the pretty, country tinged "Out Here Near The Edge" and the cleverly titled acoustic ballad "Row Me Home To Juliet". Kirby recently kicked off his Spring/Summer tour in New Hampshire and will be travelling South and West, with dates in Georgia, Texas, Arizona, Washington and more through July.  http://www.scottkirby.com/

 Hana & Satchwell "Chillaxin" - Another group featured in a full length interview on this blog, Ricky Hana and Alan Satchwell split their time between the California coast and Hawaii. Successful musicians in their own rights, 2010's Chillaxin is their second cd as a duo and the second to win a Hawaii Music Award as "Pop Album Of The Year". As the name implies, "Chillaxin"' is all about slowing down and taking things one day at a time. "Island Daze Island Nights" rides a lazy horn-driven groove, the beautiful and relaxing "My Sunset" features their trademark smooth vocal harmonies, "Duval Street" and "Cali Samba" are jazzy instrumentals, "Island Gurl" is the perfect soundtrack for a cruise along the North Shore, and "First Day Of Summer" and "Lighten The Load" are reggae tinged and danceable. Much Aloha!  http://hanasatchwell.com